Avengers: Endgame Encore Retakes No. 1 at the Box Office, Building the Bridge to Doomsday
Disney's re-release of the 2019 blockbuster returned to the top of the North American box office with $86 million worldwide, using new footage and a first-of-its-kind theater certification program to set up December's Avengers: Doomsday.

Seven years after it closed out the first act of the Marvel Cinematic Universe, "Avengers: Endgame" is back on top of the North American box office. Retitled "Avengers: Endgame Encore" and padded with new footage that points directly at December's "Avengers: Doomsday," the 2019 film reopened in theaters on Sept. 25 and finished its first weekend as the No. 1 movie in the country, outdrawing three new studio releases in a crowded late-September marketplace.
The re-release is the centerpiece of a deliberate marketing strategy by Walt Disney Studios and Marvel Studios, which are trying to reignite interest in the Avengers franchise before the Russo brothers' two-part finale to what the studio calls the "Multiverse Saga" arrives this winter. Rather than simply reissuing a restored print, Disney attached four new scenes to the film's ending, including a confrontation between Bruce Banner and Robert Downey Jr.'s Doctor Doom, and used the release to launch a new premium-theater certification program.
The numbers
According to daily box office tracking, "Endgame Encore" earned an estimated $26 million domestically over its three-day opening from roughly 3,060 theaters, enough to place first for the weekend of Sept. 25-27. Disney's own account of the debut, posted to the company's newsroom, put the global opening at $86 million, split between the domestic total and roughly $60 million overseas. That lifted the film's cumulative worldwide gross to roughly $2.885 billion, keeping it in second place on the all-time chart behind "Avatar," a gap the studio says is now under $40 million. Disney also used the milestone to note that Marvel Studios' 38 films have now generated more than $35 billion globally.
The re-release also beat back a trio of new wide releases. Sony's "Resident Evil" reboot, directed by Zach Cregger and led by Austin Abrams, took second place with roughly $23.3 million in its second weekend, crossing $100 million domestically. Paramount's Brad Pitt survival thriller "Heart of the Beast," directed by David Ayer, opened in third with about $20 million, according to figures compiled by Deadline's weekend chart. A24's Robert Pattinson drama "Primetime" and DreamWorks Animation's "Forgotten Island" rounded out a top five that, unusually for late September, produced three openings above $20 million.
How the re-release came together
"Avengers: Endgame" was already a cultural landmark before this weekend. Its original 2019 release grossed roughly $1.2 billion globally in its opening weekend alone, the only film ever to clear $1 billion in a single frame, and it briefly held the record for highest-grossing film of all time. The Russo brothers, who directed "Endgame" along with "Avengers: Infinity War" and two "Captain America" sequels, are now finishing "Avengers: Doomsday," due Dec. 18, with an ensemble that includes Downey returning to the franchise not as Iron Man but as the villain Victor von Doom, according to the film's official Marvel Studios page.
Rather than release a plain trailer to build anticipation, Disney and Marvel opted to re-cut "Endgame" itself. As reporting on the new footage detailed, the additions include an alternate coda in which an aged Steve Rogers is interrupted by Loki, a mid-credits scene in which Doctor Doom confronts Bruce Banner in his lab, and a scene depicting the Time Variance Authority discovering that the multiverse is collapsing. Theaters certified under Disney's new "Infinity Vision" premium-format program screened an even longer cut, with more than six minutes of additional material compared with roughly two minutes in standard auditoriums.
Who is affected
The strategy is as much about theater owners and Disney's data on audience appetite as it is about ticket sales for a seven-year-old movie. Infinity Vision, which Disney says it developed with exhibition partners and unveiled in the spring, certifies premium large-format screens that meet specific standards for size, laser projection and audio, according to the program's launch announcement. More than 75 domestic auditoriums and 300 internationally now carry the certification, and Disney is using "Endgame Encore" as the first film released under the banner, with "Doomsday" following in December. For competing distributors, the timing is a complication: "Resident Evil," "Heart of the Beast" and other new fall releases now have to share late-September screens with a studio using its own library title as a marketing vehicle rather than counter-programming with something new.
Reaction
Studio executives framed the opening as validation of the strategy rather than a surprise. Andrew Cripps, head of theatrical distribution for Walt Disney Studios, said the Infinity Vision push was designed to showcase the studio's technical ambitions, arguing in the program's announcement that "Disney's standards for production quality are second to none, with every single detail of a film finely tuned for an immersive experience."
"We weren't going to mess with what that movie is," Anthony Russo, who co-directed "Endgame" with his brother Joe, said of the decision to add new material only at the margins of the film rather than alter its body.
Trade coverage was largely favorable toward the commercial logic of the maneuver. The Hollywood Reporter's box office analysis noted that the re-release outperformed the weekend's splashier star vehicles, calling it evidence that Marvel's built-in fan base remains more reliable than original programming at this point in the calendar. Other outlets pointed to the historical rarity of the feat: among theatrical re-releases, only 1997's "Star Wars" special edition and Disney's own 2011 3-D reissue of "The Lion King" opened bigger.
What happens next
The immediate test is whether "Endgame Encore" can hold audiences through a second weekend against a thinning fall slate, and whether Infinity Vision certification expands meaningfully before December. The larger stakes sit with "Avengers: Doomsday" itself, which production background on the film shows will reunite dozens of MCU actors under the Russo brothers, followed by a second two-part finale, "Avengers: Secret Wars," in the years after. If the re-release's new footage draws the audience Disney is counting on, it will have effectively turned a seven-year-old blockbuster into a functioning marketing platform for a fifth entry in the franchise still two and a half months from release.

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